“Scribble” is the newest track from Underworld, and it’s a collaboration with High Contrast. The song is from their forthcoming album called Barking, which is set to be released on September 13th.

Here’s more info from the press release:

Barking is the title of Underworld’s first album in three years, and their first to be constructed with a brilliant cast of co-conspirators. All the tracks were written by the band in their Essex studio before being given to handpicked studio heads from across the whole spectrum of dance music to add some of their style and creativity to the band’s raw material. The result is a pimped-up Underworld record and their finest collection of songs in over a decade.

From the first undulating pulses of submariner bass, the first vocals – soft like a whisper in the ear – and the first fizz of hi-hats that force along the pace, the sound is unmistakably Underworld. Electronics wrapped effortlessly around songs; streams of consciousness lyrics that form indelible images; a perfectly balanced mix of melody and rhythm. Underworld’s sixth studio album is a thundering return to form, although it’s fair to say that the band responsible have never really been below par.

The tracklisting for Underworld’s Barking is below:

Bird 1 (additional production by Dubfire)
Always Loved A Film (a/p Mark Knight & D. Ramirez)
Scribble (a/p High Contrast)
Hamburg Hotel (a/p Appleblim & Al Tourettes)
Grace (a/p Dubfire)
Between Stars (a/p Mark K & D. Ramirez)
Diamond Jigsaw (a/p Paul van Dyk)
Moon In Water (a/p High Contrast)
Louisiana

Related:
Inspirations:Underworld (from Zane Tate’s Liner Notes)

The video is also available in iTunes.

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From ASCAP:

David Israelite, NMPA President and CEO tells us, “The current rate for physical phonorecords is 9.1 cents. The RIAA has proposed slashing the rate to approximately 6 cents a song – a cut of more than one-third the current rate! For permanent digital downloads, NMPA is proposing a rate of 15 cents per track because the costs involved are much less than for physical products. The RIAA has proposed the outrageous rate of approximately 5 to 5.5 cents per track, and DiMA is proposing even less. For interactive streaming services, which some analysts believe will be the future of the music industry, NMPA is proposing a rate of the greater of 12.5% of revenue, 27.5% of content costs, or a micro-penny calculation based on usage. The RIAA actually proposed that songwriters and music publishers should get the equivalent of .58% of revenue. And DiMA is taking the position that songwriters’ and music publishers’ mechanical rights should be zero, because DiMA does not believe we have any such rights!”

If they’re suing their customers, and now attempting to ensure artists are paid less, who exactly is the RIAA advocating for?  Themselves, apparently.  After all, the only ones who could profit from artists making less money are major label record executives. 

Luckily there are those who are fighting the RIAA.